Spec Ops: The Line is a game rife with contrast. In the sandstorm-wracked city of Dubai, refugees huddle in crude shanties erected in the opulent atriums of luxury hotels, and soldiers construct rough outposts in swanky rooftop clubs. On these makeshift battlefields, most of your time is spent casually gunning down hundreds of enemy combatants, but your squadmates still argue passionately over the value of one anonymous virtual life. Mechanically, Spec Ops is an utterly commonplace third-person shooter, but narratively, it strives to raise philosophical questions and put you outside of your comfort zone. These contrasts create some intriguing moments, but they are too often muddled by mediocre execution.
The environmental design is one of the highlights. A fierce sandstorm has left Dubai with an entirely new geography, one defined by sliding dunes and sandy canyons. Trapped by the swirling debris, the citizens are forced to create makeshift shelters amid the toweringskyscrapers, carving out settlements in the luxurious wreckage. Walk just past the glittering peacock statues and extravagant mosaics to find rickety cots, shabby walls, and dirty sheets.
A battalion of American soldiers have taken up residence here too, following their failedevacuation attempt, and their military outposts add an ominous air of conflict to the landscape. The artifacts of the aborted exodus tell a story too; cars are abandoned, belongings have been left behind in a hurry, and desperate pleas for help adorn the walls.
